This book is about Pakistan's most popular Sufi saint Lal Shahbaz Qalandar whose shrine in Sehwan Sharif is one of the most fascinating sanctuaries in the Muslim world. At the time of pilgrimage, this flourishing cult centre becomes a vibrant place of ecstatic religiosity marked by intense forms of devotion. The present ethnographic study is organized around three themes: piety, pilgrimage, and ritual. Thus, its focus is first on visual culture and 'material religion' as well as various aspects of religious aesthetics which highlight how sacred spaces are constructed and shaped. Secondly, it deals with the year-round pilgrimage, mainly investigating pilgrims from Punjab (including a unique life history of a female 'Sufi lineage' from Lahore), but also discussing remarkable ritual agents in the cult. The third theme is the spectacular trance dance known as dhamal. On February 16, 2017, a suicide bomber executed a horrible massacre among the dancing devotees. This work, which is the fruit of the author's field-research between 2003 and 2015 in Sindh and Punjab, aims to contribute to a 'Sufism observed' which often seems to be neglected in mainly text-based Sufi studies. It is an academic companion to his earlier At the Shrine of the Red Sufi (OUP, 2011).

This book is about Pakistans most popular Sufi saint Lal Shahbaz Qalandar whose shrine in Sehwan Sharif is one of the most fascinating sanctuaries in the Muslim world. At the time of pilgrimage, this flourishing cult centre becomes a vibrant place of ecstatic religiosity marked by intense forms of devotion. The present ethnographic study is organized around three themes: piety, pilgrimage, and ritual. Thus, its focus is first on visual culture and material religion as well as various aspects of religious aesthetics which highlight how sacred spaces are constructed and shaped. Secondly, it deals with the year-round pilgrimage, mainly investigating pilgrims from Punjab (including a unique life history of a female Sufi lineage from Lahore), but also discussing remarkable ritual agents in the cult. The third theme is the spectacular trance dance known as dham¿l. On February 16, 2017, a suicide bomber executed a horrible massacre among the dancing devotees.

We are Lovers of the Qalandar is a profoundly rich contribution to the field of South Asian Sufism, Anthropology of Art, and Islam. It is a novel addition to the visual material theory of Sufi tradition in Islam.