Giacomo Puccini's La Bohème is one of the most frequently performed operas in the world. But how did it come to be so adored? In this book, author Alexandra Wilson traces La Bohème's rise to fame and demonstrates that its success grew steadily through stage performances, recordings, filmed versions and the endorsements of star singers. More recently, popular songs, film soundtracks and musicals that draw on the opera's music and themes added further to its immense cultural impact.
This cultural history offers a fresh reading of a familiar work. Wilson argues that La Bohème's approach to realism and its flouting of conventions of the Italian operatic tradition made it strikingly modern for the 1890s. She explores how Puccini and his librettists engaged with gender, urban poverty and nostalgia--themes that grew out of the work's own time and continue to resonate with audiences more than 120 years later. Her analysis of the opera's depiction of Paris reveals that La Bohème was not only influenced by the romantic mythologies surrounding the city to this day but also helped shape them. Wilson's consideration of how directors have reinvented this opera for a new age completes this fascinating history of La Bohème, making it essential reading for anyone interested in this opera and the works it inspired.
This cultural history of La Bohème traces its rise to global fame. It demonstrates how the opera's prominence in popular culture, the inventiveness of its directors and performers, and its enduring themes of gender, poverty, and nostalgia have captured audiences' imagination for more than 120 years.
Wilson is one of a few truly innovative Puccini scholars writing today. In this fascinating new book she explains how - against many odds and contrary to the expectations of early critics - La bohème became the work that still speaks to all of us, across generations and regardless of national, social and cultural boundaries. Her book is peppered with fascinating responses to Puccini's opera, from directors, critics and audiences. If we are to understand the success of Puccini's language, we have to look beyond conventional ideas of operatic italianità. Wilson's book shows us how to do this.
