Modern Family. Retro Sass. Highly Trained--To Kick Your Ass!

Take a semester off with Dominic Price, his mom, his boyfriend, and $40,000 of black-market weapons. What could possibly go wrong?

First there were three: Octavia, Charlotte, and Rosalyn, a trio of badass hit-women who picked up the slack when the going got too real for other so-called top-level assassins. But things happened. Octavia hung up her semi-automatic for a semi-lucrative kidnapping insurance scam. Charlotte chose an expensive Chardonnay, love, marriage and, until recently, a baby carriage. And Rosalyn? There's a lot of conspiracies, but according to the federal government, she's simply M.I.A.

When a kidnapping hits too close to home, Octavia is forced out of retirement and back into the bounty-hunting business. Down two partners, she recruits her son Dominic and his boyfriend Taylor to aid and abet her in a semester of murder-based work study, where she'll teach them everything she knows (if she can get them to put down the video games, stop making out, and actually focus on the mission already).

Can this dysfunctional modern family pull off the greatest mission in the history of the ASSASSINISTAS?

Collects the complete miniseries, issues #1-6. “Think Kill Bill if it was directed by Wes Anderson… that unique intersection between thrill-killing and family drama.” — Magdalene Visaggio, Kim and Kim, Eternity Girl

“Gilbert Hernandez’s art is one of a kind, Tini Howard combines domestic drama with grindhouse film thrills.” — Graphic Policy

“A complex engine of performance parts.” — Comicosity

“With ASSASSINISTAS, Howard’s a ferocity of emotion, her characters brimming with history and pathos, regret and ambition.” — DoomRocket

“…where comics and pulp cinema tangle and have a love child.” — Comic Crusaders

“A work of pure comic book perfection. It reads like Unforgiven for Charlie’s Angels." — Jeremy Whitley, Unstoppable Wasp

“...fast-paced energy and brilliant artwork…” — Comicsverse

“Maximum bad-ass-itude. Howard and Hernandez kill it.” — Chuck Wendig, Star Wars: Aftermath