This book resituates the ghost story as a matter of literary hospitality and as part of a vital prehistory of modernism, seeing it not as a quaint neo-gothic ornament, but as a powerful literary response to the technological and psychological disturbances that marked the end of the Victorian era.
"A terrific book, tightly-argued, highly-disciplined, constantly making interconnections of a convincing kind between the examples; never obscure or wandering from the point, often witty and sharp in observation and deduction - a brilliant account of what goes on and what's at stake when the ghost gets into the machine of narrative." - Professor Peter Barry, author of Beginning Theory
"Literary Ghosts is a courageous book, unafraid to make room for the voices of capital-T Theory without allowing them to shout down the voices of fiction... If the ghostly voice is worth discussing, Thurston implies, then it is worth listening to, echoing (as it echoes us), and making it our own. Given such a compelling account, I agree with him." - Jennifer Bann, University of Glasgow, Review 19?
"Thurston is ambitious in his theoretical scope... [his] book is a radical guest within the field of established Gothic readings of haunting. As hosts, it is our duty to welcome a study that advances our knowledge of the field significantly." - MattFoley, The Gothic Imagination?
"Towards the end of his fascinating study, Luke Thurston remarks that what makes the figure of the literary ghost so "terrifying" is "its sheer originality" (167), by which he means the way that it breaks into and breaks up the orders of fictional discourse, interrupting narrative time for a fatal instant from which the story can never properly recover. In this strict sense, his book is deeply original, haunted by the other scenes of writing that rise unbidden from the recesses of a text to demand a hearing, like an unexpected guest that narrative must struggle to accommodate, no matter how capacious its boundaries." - David Glover, James Joyce Quarterly